-I make gifs for roleplaying purposes.
-writer of prose and of plays
-English Literature BA
-freelance film reviewer and journalist
-freelance copywriter
-22
-Asian
-i can't live without exercise
-rebecca hall and henry cavill
-excelsior
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I can’t wait to see what will go on between couples at dinner after they see the movie. There are so many interesting tectonic shifts. When the people I’ve shown the movie come out of it, they are either Team Amy or Team Nick. Team Amy doesn’t have a single quibble about her behavior, and Team Nick doesn’t have any problems with his. Then there are people who primarily measure it against the book and how they felt about the characters in the book. And the narrative of the movie is vastly denuded from the way it’s allowed to grow and bloom in the novel. It wasn’t a defoliation as much as a deforestation. Once you got it back to the branches and the trunk, it was pretty easy to see that this movie was going to be about who we are and who we present to those we are endeavoring to seduce. And the absurdity of that difference needed to be part of the two-and-a-half-hour fabric in a much bigger way than in the novel. For me, the 30 percent of the novel that’s about who we present—our narcissistic façades—becomes the entire foundation of the movie.
When we started working together, the biggest concern was how we would represent the two voices. Gillian [Flynn] quickly adapted to the structure that the “she said” is in flashback and the “he said” is being lived out in front of you. And you question which one is reliable or if either of them are. When we pruned back, Amy’s “cool girl” speech becomes central to the exploration of “we’ve been married five years now and I can’t get it up any more to be that person you were initially attracted to and I’m exhausted by it and I’m resentful that you still expect this.” And you throw in a little homicidal rage and it’s a fairly combustible idea. Does that make sense? [Much laughter] I’m so sorry I made this movie: it’s just not marketable.

David Fincher discusses the structure of Gone Girl.
mrgif:

Poochie toast
teen-fitness-motivation:

savingpeoplehunting-things:

doritos-maragaritos:

theramen:

wellhellotello:

fckingmajeliblood:

so-much-hilarity:

I keep having to remind myself that it’s the lionesses that do the hunting and killing and get their faces soaked in blood I mean is there a more badass animal



the king of the jungle
in the second it’s like ‘maybe if I look away she’ll stop yelling at me’

I TOLD YO BITCH ASS TO PICK UP THE CUBS

Its the alpha

Fun fact:When Lions fight they try to look big and powerful to scare off the opponent.
When Lionesses fight, it’s to the death,
And I think that pretty much sums up the difference between males and females. One tries to big itself up, one won’t back down.

I never understood why they were called “King of the Jungle”. They live in the fucking Savannah. Tigers, however, live in the jungle.
pulchraimagines:

Rebecca Hall images
2bmanagementnews:

Yelena Yemchuk - The New Yorker, January 27 issue - Rebecca Hall
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